When the transition from film reels to hard drives in the American movie theater industry began in the late 1990s, not many analysts believed it would take hold as quickly as it did. By the mid-2000s, the cost of digital cinema systems began to come down, thus allowing operators of smaller theaters to join the digital revolution.
Aside from a few theaters dedicated to film reel preservation and cineast culture, screening venues around the world have all gone digital. In the past, movies were delivered to theaters on bulky reels that required special handling and shipping; these days, entire productions can be transported on a hard drive. This shift from film reels to digital video formats reflects the incredible advancements in storage technology that continue to revolutionize the cinema industry.
Digital cinema packages (DCPs) are your ticket to global distribution. If you have a production that needs to be evaluated by prospective business partners or audiences, you want it to go through the digital cinema mastering process, which consists of conforming the final cut, reviewing the color grading, optimizing the audio, and DCP media formatting for delivery. Whether your project was shot digitally or on film, the mastering process is a must if you want to get any kind of distribution. In other words, what you get from DCPs is a gateway to getting your content distributed to cinemas around the world.
You can get more information about digital cinema packages in New York City by visiting Chromavision today.
